Yes Officer - I will Obey the Light! !

One thing I really hate (I don't HATE it actually but you get the drift) is walking up to a stop light and there is a Police Officer standing there. You look both ways and not a car is within 2 miles but there he stands, hand on his gun, finger twitching, just waiting for you to step off that curb.

He looks you in the eye and says, "Do you feel lucky?" I thought maybe I could dash across but decided I could wait THIS TIME.

It's almost as bad as when you come to a stop light, look both ways, no cars and then next to you is a mother with two 5 year old's, standing, waiting for the FREAKING light to change. If I walk against the light will this start the slide to drugs and sex for the 5 year old's? Will they now see it's OK to GO AGAINST THE LAW?? Nothing bad happened to HIM!!

Sometimes my life is so so complicated.
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And then there is the stupid newspaper box.

Everyday I end up getting wet buying my USA Today. There is a hanging basket of beautiful flowers five feet up and two feet over from my box. And every day they have just watered it and I must stand there getting wet to get my newspaper. One of us has to get our timing better.

I live in hell everyday!
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photo courtesly stolen from Universal Pictures

I stole this from the FBI Site!! Yea - I'm a bad bad man!!

Sort of stuff we all know but there is some PE stuff near the end!

One of the most famous cases in our 100-year history celebrates an anniversary today: On July 22, 1934, the gangster John Dillinger was killed in Chicago, moments after leaving the Biograph Theater, where, ironically, he had watched a gangster film starring Clark Gable.

In the Depression years of the early 1930s, Dillinger’s bank robberies, shootouts, and jailbreaks earned him nationwide notoriety, but to the Bureau, he was just Public Enemy #1. And after months of pursuing him, a tip led Melvin Purvis, Special Agent in Charge of our Chicago office, to the Biograph on a hot Sunday night.

The day before, Purvis and Special Agent Samuel A. Cowley, who had been appointed by Director J. Edgar Hoover to head the Dillinger investigation, had met with a woman calling herself Anna Sage, a friend of Dillinger’s girlfriend, Polly Hamilton. She was hoping that her cooperation with the authorities would earn her reward money and keep her from being deported to her native Romania. She told Purvis that Dillinger planned to take both her and Hamilton to a Sunday evening movie at the Biograph or the Marbro.

Stakeouts were arranged for both theaters. A hand-written document from our Dillinger file, a diagram of the Biograph, illustrates the placement of some 20 men around the theater and across the street. The diagram shows the letters “A,” “B,” and “C” outside the theater box office, with an “X” next to each letter. A legend identifies the significance of the letters: “Dillinger companion,” “Dillinger,” “informant."

A diagram of the stakeout of the Biograph Theater from our files


The informant—Anna Sage—called Purvis at 8:30 p.m. that Sunday to say they were going to the Biograph. Two hours later, Dillinger emerged from the theater with his two companions. Purvis, standing nearby, lit a cigar. It was the signal for his men to move in. As they did, Dillinger realized what was happening and reached for his pistol. Agents fired, and Dillinger was hit. He staggered, then fell.

Dillinger’s death signaled the beginning of the end of the Gangster Era, but the nation’s fascination with those times lives on. A new movie about Dillinger, directed by Michael Mann, is scheduled for release next July. The film, Public Enemies, stars Johnny Depp as Dillinger and Christian Bale as Purvis.

Mann, a Chicago native, spared no expense to re-create the Biograph Theater and the look and feel of 1930s-era Chicago for the film. “Getting it visually right requires a lot of dedication,” he explains, thanking us for our “spectacular cooperation” in helping to make the film authentic.

The actual Colt .380 that Dillinger reached for as agents were closing in Ross Rice, our spokesman in the Chicago field office, says that when he compared the movie sets with archival photos from those days, “you couldn’t tell the difference. I felt like I was stepping back in time.”

On Lincoln Avenue, where the Biograph still stands, the film crew “essentially rented out the entire block,” Rice says. The façade of every building was redone to look exactly as it did on that steamy night when Dillinger went to see Manhattan Melodrama. Attention was paid to every detail, from the streetlights to the trolley tracks right down to replacing the bricks on the street.

Mann says the film also strives for “period-accurate psychology,” to help illuminate inner thoughts and motivations of Purvis and Dillinger. That process included talking with agents while doing research for the film. Their “zeal and passion,” Mann says, helped him understand just how badly Purvis wanted to catch Public Enemy #1.
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And speaking of hummingbirds.

I looked out at the garden this morning and saw what I thought was the biggest bumblebee I had ever seen. Then I realize it was a hummingbird. I stood in butterfly garden yesterday and there was a constant buzzing from bees. Not many butterflies yet. But the humming bird was flicking around at some little red flowers.
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Have a great day as always!

Rod